Tag: Nagamandala

  • Indian Mythology and the Superhuman

    India can be called as the land of snakes as there are highly venomous species like King Cobra. Further, there is a tradition regarding snakes to glorify them as Gods. This tradition began from the Naga race of ancient India. “Naga” is a Sanskrit word that refers to a deity or a class of entity or being. This term is ambiguous in nature since there exists a tribe named Nagas. It refers to certain snakes like the King Cobra and the Indian cobra which is called so since it is seen in India. An Indian Cobra is usually called “nag” in Hindi and a female is called Nagi or Nagini. In Sanskrit, Naga means a hooded snake and it is also commonly called a “sarpah”.

    These Nagas were talked about in the great epic Mahabaratha who many in number are in which some of them hold positive roles and some of them acting negatively. The epic calls them ‘the persecutors of all creatures’. They were said to have lived in ancient India with the traces that were found during the Indus Valley Civilisation in 3000 B.C. They had a custom of serpent worship which is claimed to have been in the pre-Aryan period.

    Nagas are the mythical semi-divine beings because of their half-human and half-serpent like appearance. Their origin is from their parents Sage Kasyapa and mother Kadru. They are also called as Kadreveyas from the name of their mother. The King of the Nagas is Varuna, the Vedic God of storms, whom they worship. They are the object of reverence in the southern parts of India where people believe that the Nagas are the symbols of fertility and believed to bring prosperity into families. Hence grand festivals like Naga Panchami and Nagamandala are celebrated as an honour to them.

    Snake worship has been one of the most prominent religious practices that are found in the customs of India. The Cobra or a Naga is the second most worshipped deity next to the cow all over India. The Cobra which is curdled around Lord Shiva is worshipped by almost all people. The rituals and worship differ from each state, though all the motives are the same. This kind of worship is very famous in Hindu mythology and in Buddhism.

    In Kerala, many famous temples are built exclusively for snakes. The two main temples are Mannarsala and Pampummaikatu. Seals that bear the symbols of snakes are found in the ancient sites of Harappa and Mohanjadaro. There are Jain temples in Rajasthan and Gujarat for Lord Mahavira, whose sculpture-like performing penance with serpents gliding all over his body is seen.

    A tiny Maharashtrian village Battis Shirala is said to be an area populated with an infinite number of snakes and hence the festivities there are more colourful. People of Punjab celebrate Guha Naumi in September and October. They make snakes with dough and take them around the village, offer flour and butter and they bury them.

    In Bengal, Goddess Manasadevi, ‘the remover of venom’ is worshipped. It is believed that the denial of her worship results in a person’s death but a snake bite in a family. One of her sisters Jagat Gauri too has powers over snakes. People of Orissa believe Manasadevi’s brother Ananta to be the King of snakes. According to the Himalayan regions, even before the use of urban culture, the tribes identified as austric people were nomads. O.C.Handa observes that the place where these people roamed were full of deadly snakes. They used to sting them whenever they happened to pass by marshy lands. Such horror has alarmed people to save their lives.

    They wanted to relieve themselves from such horror and fear of death. He says, “He represented that fear-psychosis in the form of a snake and started propitiating it with sacrifice”. He further says that such incidents might also have happened in other parts of the world. These bitter experiences might have made the primitive men believe that snake-propitiation would bring them relief. These fears gradually brought within them the thought of worship. Thus, the snake worshipping tradition came into being which is more common in the Hindu religion.

    A census taken in 1891 to know the various serpent worships, though it was not very successful since different types of animal worships were found. It has been noted in the Indian Encyclopaedia, “In the United Provinces of Agra and Oudh 35,366 persons were recorded as worshippers of the Naga, and 122,991 as worshippers of the snake hero, Guga Pir with other groups less numerically important; in Punjab, 35,344 persons were said to worship Guga.” 

    Naga Panchami is a festival that is common among Indians. On the day of Naga Panchami, certain rituals are practiced by offering eggs and milk to snakes, which is more prominent in Karnataka. In Shetphal, which is basically a village in Maharashtra, people have given a resting place for a cobra in their houses in a raft of the ceiling. They have also adorned a temple with the image of a seven hooded Cobra, on the idol of Lord Shiva.

    Serpent worship differs in different states, which is prominent to be noted. Though they are Nagas, there are eight pre-eminent snakes in Hindu mythology. They are Sesha or Adisesha or Sheshnaag, Vasugi, Ananta, Astika, Padmaka, Kulika, Manasadevi, and Kaliya. All these creations are the children of sage Kasyapa and Kadru. They had thousands of snakes as children and among them, these eight have their own position as deities in mythology. Apart from them, there is a serpent named Kundalini who rests on the body of a man.

    The myths about the snakes start from their mother Kadru. Kasyapa married the sisters, Kadru Vinata. Kadru got a thousand snakes as her children and Vinata had two, in which one is Garuda, the vehicle lord Vishnu. There had been a bet between the sisters about which Kadru was worried to win. Because it was decided that the loser would be enslaved to the winner. Hence, she had to seek the favour of her offsprings to win the bet. Some of them denied her wish to fix the bet by making her angry to the core.

    She cursed them to face a fierce death through a snake sacrifice that would be done by the King Janamejeya, the son of Parikshit, who was the grandson of Arjuna, the Pandava brother. Parikshit was cursed to be killed by a snake since he had disturbed and killed a sage during his penance by throwing a dead snake on his neck. On the verge of his death, the sage cursed the King to die by a snake bite and in a week’s time, a snake named Takshaka killed Parikshit.

    In accordance with his father’s death, Janamejeya arranged a snake sacrifice through which he could also kill Takshaka who had been hidden by the God Indra. Here comes the two-good spirited Nagas of the above mentioned eight snakes. They are Vasuki and Astika who play the major roles acting as the saviours of the Naga race. The curse of his mother Kaduru is well known to King Vasuki who tried to save his siblings. So, he decided to get one of his sisters named Jaratkaru married to a sage named Jakartu too.

    Vasuki believed that through their son, he could stop the destroyal of his race. The sage accepted the proposal of getting a half-snake and half-human bride. In due course, he left his wife and son named Astika. Astika the nephew of Vasuki was guarded by him who became a great philosopher and a minister in the court of King Janamejeya. The sacrifice began and the scream of the serpents seemed to have terrorised the whole universe.

    “Takshaka is the friend of Indra. Under Indra’s protection, he feels safe from retribution, so his conceit has grown boundless. However, there is a great sacrifice mentioned in the Puranas. It is the snake sacrifice. When this sacrifice is conducted, the snakes that are named by the Mantras (incantations) will be rendered powerless and be impelled to fall into the sacrificial fire. ‘Make arrangements to conduct this sacrifice. I shall assist you, for Takshaka has caused trouble for me also’. (1)

    When the sacrifice was halfway through, Astika came to the rescue of the surviving snakes including Takshaka. He talked sense to the King and stopped him from killing his race immediately. This made his uncle Vasuki happy. Astika said: “I am a Brahamana, but my mother Jaratkaru, is the sister of Vasuki, the foremost of the serpents. She sent me here to stop your sacrifice and to save her kinsmen. Even Lord Brahma desires that you should remain content with slaying so many snakes. The snakes, that are left still (excluding of course, this vain Takshaka), are virtuous and not deserving to be destroyed. Your glory will only increase if you spare their lives.” (4)

    Vasuki also has a great part in creating the elixir of immortality. He was used as a rope to churn the elixir from heaven, with Devas holding his head and the asuras at the other. At that time, he secreted his venom in tiredness and that venom was drunk by Lord Shiva whose wife Shakthi stopped the venom in his throat itself.  This gave the Lord the name, Neelakanda. In the words of Friedhelm Hardy, a reader in Indian Religions, In his The Religious Culture of India; Power , Love and Wisdom says that “The two classes of non-human beings, the Devas and asuras, churned it and produced the essence of all good and bad things in the cosmos; the ‘nectar’ – drink of immortality and pure being – and a world destructive poison (41 )”.

    Then comes the story of Shesha or Sheshnaag, a snake with thousand heads. Hence, he is also called as Sahashrashirsha forming a massive hood. He has been one of the sons of Kadru who was fed up seeing his siblings fighting among themselves out of enmity. So he decided to separate himself from them and did penance and meditations devoted to Lord Brahma. Once Lord Brahma appeared and blessed him with the duty of holding the earth which has become populated with many people.

    Shesha said, “They hate each other as if they were enemies and are jealous of each other. They also hate Garuda and our stepmother Vinatha. After all, Garuda is our brother and they should not cause so many unnecessary troubles to him. Therefore, tired of them I am praying to you to grant me the wish that at least after my death I shouldn’t have to live with them.” (6569)

    He was also blessed with eternity. Sheshnaag has been loyal to whatever he did. He involved himself completely in meditation and prayed for the welfare of the world and the people. He told Brahma that he disliked the behaviour of his brothers who were evil natured. Thus, he wanted to save the lives of Brahma’s creations in the world and was in course blessed with what he wished for. Puranas say that Shesha is still holding the earth, bearing its heaviness and about his loyalty in holding the burden till date.

    “O Father of this world grant me this wish that my intelligence may be used for the pursuit of goodness, prayers, and strength. “As instructed, Sheshnaag went through the earth, held her from all sides, and placed her on his head. From that time Sheshnaag has been still and patiently carrying the Earth on his head.”(6569). He is also believed to be the couch of Lord Vishnu. He is further believed to spew venomous fire which destroys all creations at the end of each kalpa and is also worshipped as a manifestation of Vishnu.

    Manasadevi, the sister of other Nagas and the Goddess of Nagas is worshipped by people, especially women. She is the Goddess of fertility and is believed to fulfil one’s wishes. She is the protector of people who suffer snakebites. She possesses some special powers of counteracting snake venom and protects the mortals from snakebite. She is further associated with higher knowledge and is mostly worshipped in the eastern part of India.

    She blesses a person with wealth and property as well. She is worshipped more often during the rainy season since it is an active season for all snakes to come out of their hiding places. It is also said that Manasadevi has once requested her father Lord Shiva to include her in the pantheon to be worshipped by all people.

    For which Shiva has replied that if King Chand of Anga Kingdom agrees to worship her, then he would satisfy her wish. After a long struggle, Chand accepted to worship her but only with his left hand. Her temples are found in Haridwar and Chandigarh. Like Gods, Goddesses were also created giving prominence to the female gender. In the same way, every Goddess is till now worshipped by both men and women. Apart from Goddess Manasadevi, Indian movies regarding snakes, visualise them as either Nagins or only as Goddesses, giving prominence to women generally. Women assume most of the cobras to be Goddesses and worship them by decorating the anthills.

    Unlike the above mentioned Nagas, Kaliya or Kalinga is a five-hooded serpent who lived in the depths of the river Yamuna. He has troubled the people thereby denying them to pass by his area. The air was poisoned through his venom which killed many people. Lord Krishna, who was a young mischievous boy then, heard of him and went there to teach him a lesson. Krishna and his friends went there and started playing. Hearing noises, Kaliya came to the surface to destroy all of them. Lord Krishna at that moment stood on his hoods and danced by stamping his feet on all the five hoods. King Kaliya started bleeding and realised his mistake. He became weaker and weaker. Then he was left free.

    Since his wives begged Krishna to spare his life. From then he became devote to Lord Krishna. Great Indian Epics says that: Kundalini is different from the above-mentioned snakes but plays a very essential role in every human’s life. It is found in the “muladhara chakra (4145)” of a man. It means “coiled” which is an energy and is symbolised by a serpent having three and a half coils, sleeping with its tail in its mouth. Kundalini is often referred to as a Goddess who resides in a human body, occupying the base of the spine “muladhara chakra”. The exact place is a little above the rectum.

    Usually, Kundalini lies in deep sleep without being disturbed and it is often unnoticed. If it is disturbed from its sleep, it leads to serving consequences and it symbolises the art of spiritual awakening, which has to be done with a guru’s guidance alone, Kundalini is a Sanskrit word meaning either “coiled up” or “coiling like a snake”. The Editor of The Indian Encyclopaedia quotes: When aroused and let loose without control and direction it rages like a vicious serpent so that it becomes impossible for a man to resist its force. Whatever supernatural powers he acquires through it will only bring him in contact with the lower orders of evolution and diabolical forces. (4135)

    This coiling acts as an ancient symbolic representation of Kundalini’s philosophy. Its origin must have been from Hermes and Greek Mythology. Legends say that Goddess Kundalini travels up the spine to meet her Divine mate which has been considered as the divine union of spirit and matter. She is also named as Shakthi. It is further said that when Shakthi or Kundalini is awakened, she sweeps people up from muladhara chakra in her wildest passion to reunite herself with Lord Shiva in the Crown Chakra.

    This is called a mystical Marriage which metamorphically symbolises the union of the male and female energies within their bodies. This is a kind of technique that awakens the conscience mind to the presence of the seven energetic chakras in the body. Thus, “the individual self merges in the universal self and attains the state of self- realization (4137)” The Goddess is not meant for curiosity or selfish reasons. Her force can be compared to a forest fire burning a huge forest. And hence a person must be careful before trying to awaken it.

    The editor of The Indian Encyclopaedia explains Kundalini as an old Sanskrit term. It is from the origin of the Hindu meditative tradition. These yoga techniques lead to a spiritual path through the chanting of certain sounds and words. He says, “Kundalini meditation was considered the highest form of this ancient yogic tradition of spiritual development. Kundalini energy is infinite, but it is mostly blocked in our bodies. Hence, Lord Shiva is believed to have overcome all the desires and passions. It is further believed that a snake is a fearful creature and by wearing it on Him, Shiva seems to save people from snakes. It reflects that He could even control such a dangerous creature.

    In contrast to the beliefs of Lord Shiva being garlanded by a snake, Lord Vishnu is being canopied by Adisesha who blesses people in the form of a snake. Lord Shiva is a destroyer of the universe whereas Lord Vishnu is a protector of it. Both Gods are contrasting in their attitudes, yet they both have snakes as their symbols which prove that snakes are both good and evil. At the same time, these two Lords represent the protector of the good and the destroyer of evil. Along with Hinduism, Naga plays a major role even in Buddhism. There are traditions that talk about Nagas playing a vital role in Buddhism, seen in all Buddhist countries of Asia. In Tibet, Naga has been equated with Klu that are the spirits dwelling in lakes and rivers guarding treasures. Chinese considers Naga with the Chinese dragon.

    The Buddhist Naga is usually a large cobra-like snake, mostly with a single head and at times with many heads. They have magical powers in them to change their forms into human beings. Mucalinda who sheltered Buddha also possesses these powers. Hence in some of the Buddhist paintings, a Naga is portrayed as a human being.

    Buddhists believe that one such Nagas wished to become a monk and tried attempting it. For which Buddha blessed him to have a rebirth to become a real monk. These Nagas are believed to have lived in Mount Sameru, whereas some are water dwellers and earth-dwellers. They occupied rivers, oceans, and undergrounds. There exists a belief that the Nagas survive in the underworld, Patala. They provide human beings with all kinds of pleasure. Friedhelm Hardy says: Underground caves and serpents can easily be accommodated in our picture of the earth; Patala and Nagas are their mythical expansion. And how they were expanded: We hear of palaces and parks, beautiful (Naga) Queen, of golden gates and ‘pleasures eight times greater than those found in the heavens.’ (33)

    For this reason, Lord Shiva’s perspective on snakes represents the symbol of desires and passions. Hence, He keeps such a temper under His control. They are the servants of one of the Four Heavenly Kings, Virupaksa, who is the guardian of the western part. They are further believed to protect the Devas from the dangerous Asuras. These are the stories found in Indian cultures. Some of them are even now worshipped with temples built for them. There are several snake shrines found for King Vasuki all over India. Further, there are places where people worship even real living snakes. In Calicut, a snake temple feeds and protects several real cobras by the priests and worshippers. These snakes allow themselves to be garlanded by people who feed them, who are the ancestors in the form of snakes. This kind of worship is found even in Mysore.

    Not only the snakes are treated with importance, but the charmers are also given equal treatment. In Moribund, a village twenty kilometers away from Delhi, there are many snake charmers living with their families. And there is an association for them named All India snake Charmers Association. “These people who are expertise in catching snakes are basically the tribes named ‘Irular’”. Romulas Whitaker, a herpetologist and the founder of the Madras Snake Park brought them and rehabilitated them to protect the park. He was responsible for the development of the All India Snake Charmers Association, “says Theodore Baskaran in an article for the magazine Uyirmai “There are several snake worship temples found even in south India. In Vyasarpadi, Chennai, there is a temple where people are up to snake worship. Nagerkoil is also famous for it. There is a temple where a number of snakes’ images are carved on the stones. Sometimes the worship is done at the anthill which is the home of snakes. Recently, there has been serpent worship conducted in Rajarajeshwari Temple, Karumandapam, Tiruchirappalli for “Adi Velli”. This has been photographed in “Dhinamalar” on 18 July 2009. Since snakes are symbols of fertility, the Dhangars of Central Provinces believes that worshipping anthills at the time of marriages will bring lucky earth into the families. They follow this as a custom too. Apart from these are festivals like Nagapanchami and Nagamandala. Nagamandala is celebrated in coastal Karnataka which is an all-night ritual performed from December to April.

    Naga Panchami is celebrated on the fifth day of the light half of the month Sravana. It occurs during the rainy season, which means between July and August. In the month sravan, which falls in the rainy season, the Nagpanchami festival occurs, on which Hindus go in search of snakes, or have them brought to their houses by the Sampeli snake-charmers (6511)”.  People are keen about fasting which they call ‘vrata’. They avoid salt in their food and take an oil bath early in the mornings. It is further believed that the spinsters who undertake this ‘vrata’ along with the pooja by feeding snakes would get good husbands.

    Manasadevi is worshipped on this day and these idols are bathed with milk, flowers, ghee, and so on. The worshippers used to eat neem leaves which act as a guard against snake bites. The neem leaves have the power of curing snake bites and hence considered sacred and many snake shrines are kept under these neem trees which possess the powers of Goddess Manasadevi.

    Such are the powers of Indian snakes and hence they are worshipped as deities and many idols have been made with respect to them. These eight prominent snakes and several others are the ones that hold a strong place in support for the welfare of their devotees.

    Sachindra Kumar Meity points out in his Cultural Heritage of Ancient India that Dharma, Artha, Kama, and Moksha are the aims of life. Dharma covers not only ethics but also religion and politics. Artha covers occupations, professional activity, and wealth. The Kama covers the relationship between male and a female through the medium of marriage and the last is Moksha which is the aim of obtaining eternity. He further says: The above four are closely associated with the four stages of life (Asramas): they are Brahmacharya, Grihastha, Vanaprastha, and Sanyasa. Brahmacharya or the first Asrama is the period of study and character building. Grahastharama is the life of a householder, a family man with his social and other obligations. It covers a major part of man’s life. He must see that his children are married and settled in life and to pay-off the religious and social debts of father and forefathers (Pitri-rinas).  After that, he can go for Vanapratha and renounce his worldly life and live in a forest as a sanyasi for meditating at the feet of God for his final liberation. (13)

    All these are taught to the people through the stories that have Gods and animals playing the major roles in leading a moral life. He further points out the words of Pandit Jawaharlal Nehru who says: It is not some secret doctrine or esoteric knowledge that has kept India vital and going through these long ages, but tender humanity, varied and tolerant culture and a deep understanding of life and its mysterious ways. Her abundant vitality floes out from age to age in her magnificent literature and art, though we have only a small part of it with us and many lies hidden or has been destroyed by nature or man’s Vandalism. (11)

    Thus, these concepts are seen in Hindu mythology which shape the lives of the people in all ways. For this reason, primitive men have created certain norms in the form of mythological beliefs that would be appealing and exciting. In this way, Indians are molded and shaped to lead a peaceful life.

  • Representing Belief in Indian And Aboriginal Cultures

    Part 1   

    Culture and Myth

    Literature is the art of a written work and a well written work achieves a universal appeal. The word ‘literature’ when translated, literally means ‘acquaintance with letters’. It has its origin in the Latin word ‘littera’ which means ‘letter’. It has different meanings depending on the context in which it is used or on the user. It can be applied to any symbolic records, sculptures, and paintings. It deals only with the texts composed of letters and symbols used in a language.

    Cyril Connolly in her work “Enemies of Promise” (1938) defines literature as the art of writing something that will be read twice and compares it to journalistic writings which are likely to be read once. Literature is more interesting than facts which attracts the readers more. It is because, a journalist toils hard in collecting the facts for the sake of the readers, but in turn the people never often look into the seriousness of their writing for newspapers. In contrast to journalism, anything that is put forth or suggested in literature is easily conveyed to the readers. Ezra Pound in an article “The ABC of Reading” (1934) has pointed out the same opinion as literature is news that stays news.

    As society is becoming diverse day by day, literature also keeps increasing accordingly. It comes out with several grand themes that help the readers to comprehend the diversity that has taken place in society in terms of culture in a better way. This leads to rearranging the ideas of the monolithic value system by the people who are the followers of the ancestors. Rearranging is necessary as these ideas have been misplaced by the present age according to its own convenience.

    These kinds of interpretations and change of ideas must be reset as it had been set earlier. The present age must realise the demerits that occur in the change of systems and their ideas. Thus, the writers need mythology, and such has been its entry into the field of literature, irrespective of the literature it deals with. Myths have helped not only literature but other disciplines also. It has been performing the unique role of unifying disciplines with literature.

    Mythologies differ in each culture. Those that prevail are true and acceptable. They represent the deepest desires and fears of human beings. They help people in understanding the mysterious and sometimes frightening form of the universal forces such as seasonal changes, fire, lightening, droughts, flood, and death. Throughout the history of human civilisation, these myths have an integral part in the development of human society. They have no cultural boundaries as they exist in all cultural societies. The saga of a myth has been passed on from one generation to another. It is like the traditional stories which usually involve supernatural or imaginary people that embody popular ideas on natural or social phenomena called “myth”.

    The word ‘myth’ comes from the Latin word “mythos” and from the greek word “muthos” meaning story. “Muthos” in turn comes from the “mu” meaning to make a sound with the mouth. In simple terms, mythology deals with the study of myths. Myth is one of the elements of human heritage. The myths might have probably originated when people started asking questions about the creation of the world and their role in it. The first “myth-makers” might have been wise old men and women who had a magical talent to explain the natural world who were poetic in nature.

    Thus, these myths became a mask for truth, either magical or unrealistic. Regarding the characters, if the hero of the myth happens to be a human being, it is usually not called a myth but a legend. If the stories are about supernatural beings like Gods which appear partly to be a myth, it is a folktale. Myths generally have heroes and other characters who posses’ superpowers, creations, curses and so on.

    The power of the concept of myth has gained through the following adaptability of several common ideas that are used in the analysis of social and political changes as:

                1.To explain the creation of the world

                 2. To explain natural phenomena

                3.To give story form to ancient religious practices

                4. To explain moral lessons and values

                5. To explain history

                6.To express, as dreams do the deepest fears and hopes of the human race.

    When myths are discussed, the term that surfaces to one’s mind is the “symbol”. In a broader sense, a symbol may represent anything which is of great significance. M.H. Abrahams in his A Glossary of Literary terms points out that “this term is applied only to a word or phrases that signify an object or event in turn signifying, or has a reference, beyond itself (311).”

    A symbol may signify anything. For example, ‘the cross’ symbolises salvation, purity, etc. Such significance occurred only after the crucifixion of Christ. This significance reveals that any symbol may have a significance of its own. Accordingly, every myth has its own symbols and each symbol signifies a single meaning or many meanings. Sometimes a symbol is confused with an allegory, but they differ from each other. Coleridge in his The Stateman’s Manual (1852) and Goethe in his Maxims and Reflection have pointed out that these two are different. An allegory may have a specific meaning by itself. As they both point out, allegory signifies an image and concept whereas a symbol signifies only an image that remains indefinite.

    A symbol is the most important and dominating feature in a myth. Symbols are mostly the images of Gods, evil spirits, passions, power and so on to create such symbols; myths have made an extensive use of animals. Almost all the animals are used as symbols to denote power, faith, fear, etc. Some animals like whales, snakes, peacocks, eagles, horses, and elephants symbolise many things. A peacock symbolises pride; an eagle symbolises heroic endeavors; a snake symbolises power, bliss, and fear.     

    Animals are also worshiped by many people. From the pre-modern societies, animal worship has become a common phenomenon. People began worshiping animals, because of myths created by ancestors. In myths when threatened by evil powers, Gods usually took the form of animals to hide themselves from those spirits. Further the ancestors created such myths to save themselves from dangers. From that time people started to worship animals and they also formed animal cults that represent Gods.          

    When such myths are discussed, naturally several superstitions began evolving around them and gained prominence because, myths are the basic belief of the ancestors, created for a practical cause, which in turn have become topsy-turvy. Ironically, these beliefs have become superstitious beliefs.

    Many writers have used these myths and superstitions in their writings. Goethe considers superstition to be the poetry of life. Though most of the people have understood the meaning of myths, yet these basic beliefs have come out in the form of superstitions. These points have been highlighted by some writers in their works and they try to make the people look at mythology in a better way.

    Myths have both positive and negative symbols. Mythologies of India and Australia treat them positively, whereas some mythologies of Greece and Christianity consider them as negative symbols. In Greek mythology, snakes are treated as evil spirits and as the destroyers of the lives of people. In Christian mythology, the snake is represented as the messenger of Satan sent to destroy human life through the ‘fall of man from the Paradise’. In Australian mythology, snakes are seen as protectors, destroyer of law breakers and so on. In contrast to the Australian Aborigines, Hindu mythology worships them. Such are the symbols of snakes that are treated differently in different cultures.

    Such notion about snakes that prevail among different countries are discussed in the project. These serpents are given a significant place in many mythologies. They form an integral part in almost all languages and cultures. They are used to represent many symbols of human life. Further, this thesis also tries to point out the beliefs that have turned out to be superstitions using the ancestral mythical creatures and the stories regarding them of both India and Australia. The influence of these stories to the present superstitious beliefs, are satirised by several writers in their literary works that are found in different languages.

    Alexander Wyclif Reed (1908-1979) of Australia in his book Aboriginal Myths, Legends and Fables (1993) has made an attempt in rewriting the Aboriginal stories making them easier to understand. He has written many books on Aboriginal tales and their legends. His book tries to bring home the idea of the mystic bond that existed between the Aboriginal people, their environment, and their spiritual life of the Dreamtime. Some stories of Reed about snakes have been taken for comparison. Indian writers have also made use of these myths in their works.

    Girish Karnad’s Nagamandala is one such work. He found out a new approach when other writers wanted to choose a subject that looked entirely alien to the manifestation of the native soil. The approach drew historical and mythological sources to tackle the contemporary themes.

    Similar to this are many writers like R.K.Narayan and Kushwant Singh, Tamil writers like Tamizhselvi, etc. They have written some works with snake as their central role of attraction. These writers highlight the basic beliefs and also the prevailing myths about snakes and snake worship. The knowledge of the scientific representation of a snake is essential in order to go deep into the beliefs of the ancestors.

    “Serpent” is a word of Latin origin (serpens, serpentis) which is commonly used in specifically mythical or religious context, signifying a snake that is to be regarded not as mundane natural phenomenon nor as an object of scientific  zoology, but as a bearer of some symbolic values. A snake is a powerful totem animal, the symbol of death and rebirth and the symbol of transformation. It might well be the mascot for the new age. It has been the animal or the symbol of the ancient men and ancestors of some cultures.

    According to the investigation of Sir James Frazer in Comparative Religion and those of Sigmund Freud in Psychology, though extreme, they have shown that human beings tend to use a wider symbolism, even in thinking itself, to cover ideas  they avoid out of fear. Snakes are used to symbolise many aspects of human life. If a snake bites a person in a dream, it is a good sign and symbolises self-revelation. A person’s dream has a purpose in it. To find out the meanings of these dreams, one needs to understand the symbols. The symbols give different meaning to the dreams. Myths play a major role even in the dreams of people in the name of symbols. Hence the belief lies deep in everyone’s life as an outcome of every culture.

    In this context, this article focuses on the role, functions, and the significance of mythology in the lives of native people of Australia and India and how the role of mythology has been misinterpreted through misconceptions and misunderstandings by some people. It points out how in spite of these myths acting as a yardstick in leading a moral life, people look at these myths only in a literal sense. The article hence reinforces the need to study the deeper implications and significance of myths. People gradually step into certain superstitious beliefs that unknowingly affect and shake the basic beliefs of the natives and unstabilise the structure that binds a concrete society. Some writers are aware of these issues and try to stabilise them through their writings.

    An introduction to both Indian and Australian mythologies is beneficial before analysing customs and beliefs. Both the countries have their own reasons for the creation of such mythologies. Indian mythology is not only 1200 B.C old but is also considered to be vast. It is one of the richest elements of Indian culture standing unique in the world. There are infinite number of stories that are passed on from one generation to another through words or scriptures. These stories form the background of Indian mythology, acting as a medium to people to inculcate an interest in Indian culture and to impart values. These stories generally convey subtle facts and maxims to guide people in leading a moral life.    

    Since storytelling is an easy way to approach people, these facts and rules are conveyed easily. There are also stories to denote the same fact. Hence, each version of a story is correct in its own way. The origin of Indian mythology has been from Rig Veda, the old mythological heritage. During this time, people had faith in whatever they wanted to do. They saw God in forms such as –Agni, Vayu and Surya. They relied mostly on abstractions, though it was illusive and in a due course these Gods were given substantial shapes and characters. The two epics, the Ramayana and the Mahabharata were compiled in the late Vedic period.

    They gave rise to the concept of Trimurthi the union of Ani, Vayu and Surya who in Hindu mythology are named as Brahma, Vishnu and Shiva. This concept has become concrete in Indian mythology which is similar to Chritianity’s trinity-the father, the son and the Holy Spirit.

    There are four ages in Indian mythology, comprising Hinduism, Buddhism, Jainism and Brahmainic. Om or Aum is the essence of Hinduism which denotes oneness with the supreme, both physically and spiritually. This is the first created sacred sound from which all other sounds were formed. This sound in the Upanishads does not only denote origination but also desolution, including past, present, and future.

    The idea of ‘atma’ or the soul plays an integral part in Hinduism. Sacrifice and performing penance have been the chief forms of worship.  The concept of performing penance with so many years of deep meditation, secluded from the world becomes the topic of interest. The Hindus believe more in Lord Vishnu the preserver and Lord Shiva the destroyer than in Lord Brahma the creator.

    Further, there are many creatures symbolizing different kinds of emotions and also as the vehicles of different Gods. Garuda, the King of birds is the vehicle Lord Vishnu, the peacock and the snake are the symbols of Lord Muruga and so on. From 900 B.C to 500 B.C, as Aryan culture commonly named as the Brahmanic Age gradually dominated Hinduism. When the concept of ‘atma’ came into Hinduism, the Brahmanic caste asserted that Gods need human priests to become powerful. Such was the arrival of the Brahmanic Age that celebrated pride in being the followers of Gods.

    From 500 B.C to 100 the age of Bhuddhism and Jainism came into being and dominated Hinduism.  After several years, the epics the Ramayana and Mahabharata were born and brought back the life of Hinduism. There are many stories that speak about Buddha how he acquired knowledge and strength to live a life of eternity in a spiritual way.

    Thus, all the ages are e considered more powerful and they complement each other with their own myths. But it is noteworthy that all these ages talk about the oneness of human beings with God in different ways.

    Australia is a multicultural society comprising people from all around the world. It always had a mixture of cultures. The most eminent Aboriginal and Torres Strait occupied the islands between Australia and Papua New Guinea, which is now called the Torres Strait. These Indigenous people naves many tribal communities with different languages, cultural and traditional practices. It is believed that before 1788, there existed more than 700 languages within an estimated population of 7,50,000 people. Today the indigenous people comprise 2% as estimated within the population of 410000 in Australia.

    Due to the effects of colonisation, the people were removed from the lands, nativity and their sole identity of culture and languages. Early Australia was completely different from the present Australia. Those indigenous people had no facilities even to travel from place to place like carriages and so on. It had been an unspoilt land where people respected their environment, nature, and everything around them.

    Since they lived the lives of hunters and gatherers of lives, they ensured that they had enough food for future use and made sure that the food was never wasted.  Even women and children were trained to hunt smaller animals and to collect fruits. In order to maintain the fragile environment and due to seasonal variations, they kept roaming through the land. They also made it a point not to hunt at the same place and stored some food whenever they went. The places where these scattered are converted to cities, towns and so on with a mixture of contemporary and traditional thoughts and practices still existing.

    The indigenous cultures of Australia are considered the oldest of all cultures in the world for, they were able to change accordingly. These changes were due to the influence of other country people entering their land for trade. They exchanged not only goods but also songs and dances within their own indigenous people. Though they were adaptable to change and were culturally strong, some indifferences of Europeans affected them resulting in colonisation.

    Archaeological evidences show that indigenous cultures have changed many times accordingly to cope up with the changes of the environment. They were able to survive and struggle against their changes made in their culture by Europeans since 1788. Even before Europeans influence, the indigenous people had contact with other cultures like Dutch, Portuguese navigators and traders in sharing ideas and skills. These influences can be seen in the rock bark paintings.

    The complexity and richness of aboriginal cultures were not clear for the early colonists and hence their government policies were against the interests of the aboriginal people. And they have had profits from the labour of these aboriginals. Many forms and cattle came into their nation without realizing how the indigenous people treat their lands. Their land that was meant for food and spirituality was considered a land of trade alone. Further the colonists even prevented them from speaking their own languages, which resulted in the decrease of native languages from 700 to 250 at present. Yet there are traces of native languages in Australia now.

     When it comes to spirituality, there are many forms in it with different practices and influences by the impact of colonialism, both past and present. There are some indigenous people who believe in the cultures introduced in Australia by the Europeans. Yet, their religious beliefs derived from a scene of belonging to the land, sea and to nature and one’s culture. Their form and expression of spirituality differ from the Aboriginal and the Torres Strait Islanders. The Aboriginal spirituality was based on the stories of the stories of dreaming whereas the Torres Straight Islanders ‘spirituality was based on the stories of Tagai.

    Thus, between the two Aboriginal people’s lives are found much in detail than Tagai. It is because of the significance. So, W.E.H.Stanner , an Australian Anthropologist says, ‘the idea of a sign is thoroughly aboriginal…..’ Likewise art was central to the lives of Aboriginal people and was a product of their Dreaming. Thus, by practicing art singing, dancing, sculpting, and painting. Aboriginal people could assess the dreaming.

    Thus, dreaming had different meaning for different Aboriginal people. It being complex network of knowledge , faith and practices derived from stories of creation , dominates all spiritual and physical aspects of Aboriginal people setting out the structures of society and rules of behaviour in order to maintain the life of the land.

    The Dreamtime governed the way people lived and how they should behave and if rules were flouted, they were punished. The ‘Dreamtime’ or dreaming is often used to describe the time when the earth, and the animals and the human were created. The dreaming is also used by individuals to refer to their own dreaming or their community’s dreaming. The dreaming world was the old time of the ancestors. They emerged from the earth at the time of creation. Time began in the world the moment these supernatural beings were born out of their own eternity.

    The stories tell that the earth was a flat surface, in darkness, dead silent world. Unknown forms of life were asleep, below the surface of the land. Then the supernatural ancestor beings broke through the crust of the earth from below with tumultuous force. The sun rose out of the ground. The land received light for the first time. The supernatural or totemic they resembled creatures or plants and were half human, they moved across the baren surface of the world. They travelled hunted and fought and changed the form of the land. During their journeys they created the landscapes, the mountains, the rivers, the trees, the waterholes, plains, and sand hills. They made all the celestial bodies, The sun, the moon, and the stars. Then wearied from all the activities the mythical creatures sank back into the earth and returned to their state of sleep.

    Such stories help the people to know the origin of the ancestral spirits and where they went to rest. These are the explanations to hoe people came to Australia and the links between the groups throughout Australia. In essence, the dreaming comes from the land. The Aboriginal society people did not own the land, but it was a part of them and part of their duty to respect mother earth.

    Dreaming stories vary throughout Australia and there are different versions on the same theme. Thus, in more recent times there are stories telling the arrival of the first European ships are stories about trading with Macassan fisherman in northern Australia. Tagai is a collection of stories which is the cornerstone of the Torres Straight Islanders’ as sea people sharing a common way of life. Tagai enables orderliness in the world and ensures placement for everything.

     Both the Aboriginal and the Torres Strait Islanders have a complex system of family relations where each person knows their kin and their land. This extension of family relationships formed the core of indigenous kinship systems enabling transmission of culture from one to the other and also in the organization of society.  Story telling in indigenous Australia is still an important way of passing information to people. These stories also in various forms such as music, plays poetry and books keep the traditions and heritage of indigenous Australia alive and also within the wider community paving the way for clearer understanding and awareness among people.

    The Aboriginals believe in two forms of time: two parallel streams of activity. One is the daily objective activity and the other is an infinite spiritual cycle called the dream time  which is more real than the reality itself. It was believed that some people of unusual spiritual powers had contact with dream time.  They also believed the idea of eternity in the dreaming and it bound the life of the individual even before the beginning of his life and continued to exist even after his death.

    Thus, the aborigines believed in the beings while the Europeans believed these cultural ancestors to be magical. When observed deeply, these stories would have many aspects of life to be realised.