Tag: dreamtime

  • Australian Aboriginal Mythology and Terrestrial

    The focus here is on the specialties and the different representations of the Rainbow Serpent by different tribes of Australian Aborigines. It also explains the stories that are told about the Rainbow Serpent among the infinite number of tribes that prevailed, and about the importance of the Rainbow Serpent in art and spirituality as well.

    Like Indian mythology, Australian Aboriginal mythology also plays a vital role in the lives of the Australian people. Australian Aborigines were the people who were much attached to their environment. They created a world named “The dreamtime” and created a large number of stories to make people live an ethical and peaceful life. Kleinert and Neale, the editors of The Oxford Companion to Aboriginal Art and Culture (2000) quotes the French Anthropologist Barbara Glowczewski’s remark on Warlpiri  people who says, “the dreaming appeared to me not like a mythical time of reference but as a parallel space-time, a permanency in movement, with which the Warlpiri have a relation of feedback (41)”.

    She believes that a sacred site is “a connection between a foundational creation and current life (41)” that is well brought to the limelight through their stories. These stories were large in number, which deal with the creation of universe, earth, land, flora, and human beings. Each creation has a story behind it and in this way Australian Aboriginal myths have an exclusive creativity and the loyalty they had for their people and land and for their animals.

    These dreamtime stories still exist and preach people in all walks of life. A.W.Reed in his introduction to Aboriginal Myths, Legends, Fables (1993) observing their intimacy with their land and animals remarks that, “both men and animals were part of the endless Dreamtime that began with the deeds of totemic ancestors. Their deeds are part of life, and men are part of animals, as animals are of men, therefore both are usually capitalised in the text (10)”.

    Such has been the entry of the mythical creature named the Rainbow Serpent which plays a major role in the Australian Aboriginal myths and in the lives of Aboriginal people as well. There are about 400 types of Aborigines and this myth of the Rainbow Serpent is common to all of them. These tribes had their own dialects and languages living in different parts of Australia, especially Northern Australia.

    Hence the stories and symbols about the Rainbow Serpent also differs depending on the environmental conditions in which the tribes lived. Though there are a number of stories with many representations, they all believed in this huge called the among different tribes, but the only common name is the Rainbow Serpent.

    Each tribe called it differently among which some of the known names are Bobbi-Bobbi, Dhaka, Kaleru Julungul, Yurlunggur, Wonambi, Worambi and Woinunggur. The common name the “Rainbow Serpent” was first given to it in 1926 by a British Anthropologist professor Alfred Radicliffe-Brown. He specialised in Australian Aboriginal ethnology and ethnography and notices that some of the tribes had a common myth which was about the most powerful, creative and a dangerous snake in a gigantic size. He also found that it was associated with rainbow, rain, water, rivers, and blood.

    Radcliffe–Brown coined the term the “Rainbow Serpent” since there was no common name among these tribal people. And further, a common name was needed for the art galleries, museums and for the international people to know more about it. The serpent is named so because it was rainbow coloured. Brown found out the other names of this serpent in different areas like Takkan, Myndie, Bunyip etc.

    The serpent is mostly seen in celestial blue, multi-coloured and yellow red stripped. This colour variation is seen because of the use of myth in different tribes and countries. The Rainbow Serpent myth is common in Africa and Japan also. This creature is said to be huge with enormous powers. Though wingless, it could fly. The Rainbow Serpent is mostly either a copper python or a Taipan which is highly venomous. Armhem Land people believe that the serpent is made of the parts of different animals like kangaroo’s or a flying fox’s head, crocodile’s tail decorated with water lilies and waving tendrils.

    There are several representations about this serpent. They are fertility, destroyer of law breakers, creator of flora and fauna, a medicine man, guardian of water, rain etc. Each tribe considers him to be so, that suits their geographical location. He is a positive creature, yet he is believed to be greedy of water at times. He often swallows people and hence frightens them.

    The very first Rainbow Serpent created was called by people as Wonambi Naracoortensis, who was five to six metres long. He was not a predator and did not use its venom but would kill his prey by constriction. His head is small which expands accordingly to the size of the prey. This species has been found out to be the first extinct snake in Australia.

    This mythical creature of the Dreamtime was considered sacred by the Aborigines, since it was the first creation of the now known Rainbow Serpent. He is said to have lived during the Pleistocene Ice Age in the suntraps beside the waterholes. His prey has been kangaroo, wallaby and whatever came to drink water and hence children were denied the permission to go to such places.

    Many tribes believed that if there was no Rainbow Serpent, there would be no life to exist. Such was the power and guardianship of the great snake. The snake that gave water was the life-giving source to the people. He was considered as one of the greatest totemic ancestors. Most of the spiritual happenings of these Aborigines have been rooted from the journey of their spirit Ancestors.

    This journey has been rewarded as Dreaming Track which has given birth to several creatures, flora, and fauna. One of the most pervasive and well known of the spirit ancestors is the Rainbow Serpent, whose Dreaming Track is shared by many tribes. This is the reason for the serpent to be considered as the totemic ancestor.

    As the Aboriginal people do believe in two worlds, the one in which they live and the other is the Dreamtime, they consider this Rainbow Serpent as a rainbow that bridges both Heaven and Earth. Through this the Dreamtime is connected to the present world of reality and thus the creation of Mythical Ancestor connects both the present and the future which is the reason for the people to rely on him.

    Hence, there are many stories related to the Rainbow Serpent depending on the tribes. Yet there are several common elements among them. They believe that the Almighty God created Heaven and Earth, yet during the time of creation, Dreamtime had been passive, colourless, and lifeless.

    At that time, the Ancestor, the Rainbow Serpent has descended from the Earth creating valleys and rivers on the tracks made by him while crawling. Then filled the world with his creation of plants and animals. Certain people believe that he even created human beings. It has advised them to follow the norms he has created for them and he punished whoever went against the law.

    One of the stories says that the ancestor, the Rainbow woke up and came to Earth from the after a long period. It saw the land was dry and asked the frogs to come out from their places. They came slowly since they were feeling heavy with water tickled. The Rainbow Serpent tickled their stomachs and when they laughed water gushed out that filled the tracks made by the serpent. Through this it became the creator of water, billabongs, and rivers.  It is said that once an aged woman named Kunapipi made a long journey across the country in the Dreamtime who was preceded by the Rainbow Serpent. Being the creator of water, “he cleared the way for her by uprooting the trees and causing rivers to flow towards the sea (80) “. He has also created floods and storms.

    He stays in waterholes or rivers in wet seasons and during dry seasons, he stays in the mud and in rainy seasons. He seems to rise and fly like a rainbow. Like the Chinese dragon Yu, he sometimes carves deep in riverbeds while travelling across the Earth. Apart from these he also plays a duel role – creation and destruction like that of an Indian mythical snake.

    He also safeguards water and the people who follow him. He floods and storms to destroy the people whom he finds to be the lawbreakers. This is one of the reasons for the people to believe strongly in the Rainbow Serpent who guards them all through their lives.

    Kalseru has been the Goddess of rain and fertility found among the tribes of Northern Australia. One of the Rainbow Serpents is named Yurlunggul or Jullunggul who is the “great further” of other Serpents. There are two same stories with different endings varying among different tribes. In this first story, Julunggul, as he is called, lives in a waterhole.

    Two Walawag sisters, the elder who was pregnant and the younger one came to rest on the River Roper where Julunggul lived. The elder gave birth to a baby and they both took rest that night. Jullunggul who had be looked at them sleeping came out of the surface of the water smelling the blood of the elder sister. Seeing him, the younger sister, picked up some twigs and started dancing the whole night.

    Jullungul left them and went away. The younger sister felt tired of dancing which saved her elder sister and son. She then fell into an exhausted sleep. But after some time, Jullungul came back again and swallowed them all. He laid down for his prey to get digested. But before that an ant stung him and regurgitated the swallowed women out who were dead by then. He swallowed them again and took rest.

    He lay down to sleep but was bitten by an ant and stung to wakefulness. He disgorged the contents of his stomach, but the women were no longer alive. The sisters were swallowed for the second time and devoured at his leisure. (87)

    The same story has a different ending where the serpent is named Yurlunggul. He too swallowed them, but no ant stung him, instead he arched his body like a rainbow towards the sky and called his species to come out. All snakes creeped out and were shocked to hear what Yurlunggul had done. He said, “Dead. Dead. Entombed in my body. You see I have you snakes. Women are evil” for which the other snakes objected and blamed him for killing and eating his own kin. They further asked him to regurgitate them. Yurlunggul felt ashamed and disgorged the women and the child alive. They thanked everyone and continued their journey.

    Yurlunggul lowered himself. His mouth opened to its widest extent. With his body flat on the ground, he heaved. The women tumbled out of its mouth, and Misilgoe waited for her son who laughed and gurgled as he fell into the waiting arms. (392)

    The same story with two different versions is available, where once the women were dead and in the other story, they came alive again. These differences are due to the differences that prevail among people who change or develop the stories which suit their landscape and tradition. This difference does not prove that Yurlunggur is notorious but is one of its qualities to swallow people. When all his powers and guardianship are invited and accepted then his bad deed of eating people must also be equally accepted.

    In another story, a Rainbow Serpent existed and was called as Pulwaiya by the Aboriginal people which “father’s father”. One of such Pulwaiyas had been named Taipan, generally a Brown snake. He possessed many supernatural powers like a common Rainbow Serpent. He cured   people from their sickness.

    He could give relief to anyone who had inadvertently swallowed a bone by sucking it out of his body. He commanded thunder and lightning by magic with a sharpened flint attached to a string. By throwing it against a tree or stone, a sheet of flame flared out and the noise of the concussion would echo through the hills……………. he could cure men and women of their ailments. He had the power to cause rain and floods to devastate the countryside. (82)

    He had a son who was also named Taipan. Once the son took a long journey and, on the way, he met a black water snake who was the wife of Wala, a blue- tongued lizard. They fell in love at first sight and eloped before Wala came back from his hunting. Wala realised their eloping and somehow tried to find them.

    Taipan and Wala fought for a long time and gave up, for they both were equally strong. Wala decided that he would give Taipan the first chance to bite him and if Taipan failed, Wala would bite him. Agreeing, Taipan tried to bite Wala on his neck, but he failed since the lizard’s skin is rough and thick. He felt exhausted and tired.

     In no time, Wala grabbed Taipan and bit him on his neck. Not stopping with this he cut and tore open his heart. He took the blood and heart of Taipan to Pulwaiya. Thus, Taipan was punished, and Wala went away with his wife.

    Pulwaiya called all his children and everyone grieved over their sibling’s death. They all took some of the things as a remembrance of Taipan. His sisters took his blood and went back to their home in rainbow. That is the reason for the window to have a red mark in it followed by a blue one who is Pulwaiya himself.

    The rainbow is the totem site of his daughters, where the blood of their brother provides the red course in that shining bow, just as the blue course is that of Taipan, the Rainbow Serpent. (84). Pulwaiya had his son’s heart for himself and sank under a milk wood tree that stood close to the lake which was formed on the day by rain and blood. If anyone tried to disturb the serpent, thunder roared, and lightning would flash from the sky. His daughters would join him during dry seasons and when rain came, they would go back to their home in rainbow where their brother shines. This explains the ability of the Rainbow Serpent to control the blood supply.

    This attraction towards blood is the only reason for Yurlunggur to swallow the Walwag sisters. Chris Knight, a professor of Anthropology in his  Menstrual Synchrony and the Australian  Aboriginal Rainbow Snake (1986) quotes  from McCarthy  that the snake  was attracted  not only by the elder sister’s  after blood but also by the younger one who has just attained puberty and started  menstruating. It was also a puberty celebration, in the words of the mythical younger sister,” a very happy time, for this is my first menstruation (235)”.

    The flow of the two women has attracted him. Hence, it “came out of its womb like waterhole” to swallow the sisters and the child. He also suggests that the flow of blood is seen when the snake appears, ’where there is no blood, there is no snake (235)”. This attraction towards blood is seen in many of the stories and in one way it helps women, since a Rainbow Serpent is seen both as a male and female. It is considered as a male  since it guards people and acts as a life giving source and considered as a female since it guards women from being seduced by men. Women, especially Mungamunga tribal women consider the Rainbow Serpent to be the guardian mother, Yingama the mother of creation. She saves them whenever they are in danger. This is because when a woman wants to avoid having intercourse with a man, she could immediately menstruate.

    Women have two ways of avoiding men, through water and blood. The flow of blood helps themselves from the threat and heterosexuality. Once a man named Bananggala wanted Them to copulate with Mungamunga women.  avoided him by saying that they menstruated and hence he had to wait for a while.  This is one way of escaping. In another story, two men tried to encounter a Mungamunga woman. “They each say to him, I ‘ve got blood; You wait for a while (238)” as pointed out by R. Berndt in 1951.

    She relieved herself from their grip and jumped into the nearby waterhole and started menstruating. This is another way of avoiding heterosexual intercourse. Diving into the water makes them feel protected like being in mother’s womb. This is the reason for representing the Rainbow Serpent as the controller of the physiological process and a mother of creation. This belief is seen in the Mungamunga tribal people.” No sooner did they seize a Mungamunga and put her on the ground, ready for coitus, than she slides away, jumps, and runs down to the lagoon and dives into its water (239).

    Once a man named Purra was looking for a wife and while crossing a creek he found the water to be red. He decided that a woman must be there at the time of her menstruation and searched for her. He found a girl whose lower half was in the water and the upper half on the surface.  He realized that she was the daughter of the Rainbow Serpent and took her away. Purra was aware that her father would come in search of them. But the Serpent took his daughter back by creating a flood. The author says.

                “But he knew that her father, the serpent, would be after him”. He tried to run away but the serpent followed. Purra kept lighting fires to keep the Serpent away, but one day “the big rain came”; it extinguished Purra’s firestick and caused a flood into which Purra’s wife disappeared. (236).

    This story connects the idea of the Rainbow Serpent to be the mother who allows her daughters to be wet, that saves from men. It also shows the troubles of men getting married.  “…. links the notion of being wet or in the rains with a women’s menstrual state and consequent non- availability as wife. At the same time, it emphasises that to be “wet “and menstruating is to be under the guardianship of the serpent (240)”.

    The red colour of the serpent symbolises blood which stands for both fertility and guardianship of the serpent. It serves as a mother through the waterhole in which it lives, and this waterhole is considered as a womb which guards women from the hands of men. By guarding them it also serves as a responsible father. Thus, it acts both as a male and a female. Radcliffe – Brown believed that the Rainbow Serpent “represents the element of water (242)”.

    Warner believed that it represents “the symbol of weather (242)”.  Apart from these, there are many other representations of the Rainbow Serpent. The symbol of the snake being both a male and a female unites the genders together. It shows men and women are equal in all aspects and both of their lives are merged in unity like that of Lord Shiva and Kundalini or Shakthi.

    It is further believed by many of the tribes that the disgorging of the men or women by the serpent gives them a new life, a new rebirth. Chris Knight says, “The resultant power is conceptualized as a rainbow-like snake, which is said to be the source of life and which “swallows” human and then “regurgitates “them, now reborn (232)”.  Since he is also a symbol of birth and death, his disgorging of the Walawag sisters represents this and hence this becomes a religious ritual among them.

    The story of Taipan brings home the moral about the relationship that must be maintained between a man and a woman through marriage. Aboriginal stories teach adults and children how to lead a married life. Rosemary Van den Berg of Murdoch University in her Aboriginal Storytelling and Writing quotes J.E. Hammond’s view that, “They learn about marriage the right way- who they could marry, and who they could not marry.  Marriage the wrong could cause dissension and sometimes death to the perpetrators (55) “.

    His idea is clearly visible in the story of Taipan where the snake   Taipan elopes with another man’s wife and at last ends his life miserably but committing a big blunder which is considered a bad deed by the Aborigines.  It further shows that even the totemic ancestors committed several blunders and were also punished severely according to the blunders that they have committed.

    In another story in Northern Australia, a river flows into the Gulf of Carpentaria where the Rainbow Serpent and his wife lived. It is red and yellow stripped, and its wife was seen in blue. He does not allow anyone to waste water or to have fun by disturbing the water living creatures. If he finds anyone doing so, or catching a fish for sport, he punishes them.

    He often strolls with his wife after rain and their bodies stretch across the sky. Once, a lot of hailstones fell from the sky which surprised the people living there, they go near and found the stones burrow in the ground very slowly. They were unable to decide whether they vanished or went into ground.

    An old man asked them for a digging stick, and he dug into the ground. He found some worms moving and told people that they were the children of the Rainbow Serpent, which have hatched out of the eggs. At the bottom of the holes he found worms, which was not surprising, for if you dig in the right place you will nearly always find forms.

             ‘These are the children of the Rainbow snake ‘, the old man said triumphantly. ‘they have hatched out from the white eggs that fell from the sky ‘. (381)

    All these stories reveal the characteristics of the Rainbow Serpent in different forms. Apart from them, the Rainbow Serpent is also a symbol of Australian Aboriginal spirituality. The religious belief and customs of indigenous Australians have been influenced by other, most of them cultures   around the   world which is the impact of colonialism. Though some Aborigines share these beliefs most of them have derived spirituality from a sense of belonging to the land, their own people, and communities and by being a part of one’s own culture.

    Most of the communities believed in the same myth and had the prevailing spiritual expressions of the people have been rooted into them by the journey of these ancestors. Only by following their footsteps, they found a way leading to a spiritual life. Though the serpent has been in various forms, he has created spirituality among people which keeps them forever in the Dreamtime.

    He also creates a bond between the Almighty and the people helping them lead their lives peacefully. He does not stop with spirituality alone. Till now people use his shapes and forms in their art and craft. Artists use their creativity in designing the serpent painting. They believe that the Rainbow Serpent is the source of all life and especially spirituality is the main part of his other acts.

    There are even many brands producing company named after the Rainbow Serpent which has a greater value among people. The weapons of Aboriginal people made now like boomerang and the didgeridoo have good value which represents their cultural heritage. They further produce furniture, paintings, and unique jewellery. Such has been the impact of the Dreamtime creature, the Rainbow Serpent.

    All these combines to have a celebration and a get-together for the Australian people. They celebrate the Rainbow Serpent Festival once every year as a four-day celebration during the weekend of January. Thousands of people from are attracted towards it. This festival connects people from all walks of life, through the world where they experience and learn new things.

    Many talented hands are given a chance to exhibit their skills in front of everyone. Creative activists, dance music, medicine, health tips are provided to them.  Further, people find it a place where they can nurture themselves and share their views and ideas. They also conduct many soul healing and mind awakening tips. All these are dedicated to the Dreamtime Ancestor, which is named after him.

    All these stories and festivals prove the attitude of the Aboriginal people towards snakes which is different when it comes to other cultures. More like Indians, they look at them with a positive notion. Their intimacy with the totemic ancestor, which is basically a mythical creature and their benefits in being guarded and getting the source of life reveal that reptiles or animals were not rejected by these people from their lives. These people treat them with respect as they respect their environment since they are created for the welfare of the people themselves.

    It is to be noted that the Aboriginal people address the Rainbow Serpent as “he” or “she” and not as it. This shows their oneness with their land and animals by treating them with no difference. All these qualities are imposed on their children to follow their footsteps in their future. Hence, as  Rosemary  Van Den Berg in her essay “Aboriginal Storytelling and Writing” aptly comments, “storytelling was a learning process for them who learnt from an early age how to survive their environment by listening to their elders” (1).

  • Representing Belief in Indian And Aboriginal Cultures

    Part 1   

    Culture and Myth

    Literature is the art of a written work and a well written work achieves a universal appeal. The word ‘literature’ when translated, literally means ‘acquaintance with letters’. It has its origin in the Latin word ‘littera’ which means ‘letter’. It has different meanings depending on the context in which it is used or on the user. It can be applied to any symbolic records, sculptures, and paintings. It deals only with the texts composed of letters and symbols used in a language.

    Cyril Connolly in her work “Enemies of Promise” (1938) defines literature as the art of writing something that will be read twice and compares it to journalistic writings which are likely to be read once. Literature is more interesting than facts which attracts the readers more. It is because, a journalist toils hard in collecting the facts for the sake of the readers, but in turn the people never often look into the seriousness of their writing for newspapers. In contrast to journalism, anything that is put forth or suggested in literature is easily conveyed to the readers. Ezra Pound in an article “The ABC of Reading” (1934) has pointed out the same opinion as literature is news that stays news.

    As society is becoming diverse day by day, literature also keeps increasing accordingly. It comes out with several grand themes that help the readers to comprehend the diversity that has taken place in society in terms of culture in a better way. This leads to rearranging the ideas of the monolithic value system by the people who are the followers of the ancestors. Rearranging is necessary as these ideas have been misplaced by the present age according to its own convenience.

    These kinds of interpretations and change of ideas must be reset as it had been set earlier. The present age must realise the demerits that occur in the change of systems and their ideas. Thus, the writers need mythology, and such has been its entry into the field of literature, irrespective of the literature it deals with. Myths have helped not only literature but other disciplines also. It has been performing the unique role of unifying disciplines with literature.

    Mythologies differ in each culture. Those that prevail are true and acceptable. They represent the deepest desires and fears of human beings. They help people in understanding the mysterious and sometimes frightening form of the universal forces such as seasonal changes, fire, lightening, droughts, flood, and death. Throughout the history of human civilisation, these myths have an integral part in the development of human society. They have no cultural boundaries as they exist in all cultural societies. The saga of a myth has been passed on from one generation to another. It is like the traditional stories which usually involve supernatural or imaginary people that embody popular ideas on natural or social phenomena called “myth”.

    The word ‘myth’ comes from the Latin word “mythos” and from the greek word “muthos” meaning story. “Muthos” in turn comes from the “mu” meaning to make a sound with the mouth. In simple terms, mythology deals with the study of myths. Myth is one of the elements of human heritage. The myths might have probably originated when people started asking questions about the creation of the world and their role in it. The first “myth-makers” might have been wise old men and women who had a magical talent to explain the natural world who were poetic in nature.

    Thus, these myths became a mask for truth, either magical or unrealistic. Regarding the characters, if the hero of the myth happens to be a human being, it is usually not called a myth but a legend. If the stories are about supernatural beings like Gods which appear partly to be a myth, it is a folktale. Myths generally have heroes and other characters who posses’ superpowers, creations, curses and so on.

    The power of the concept of myth has gained through the following adaptability of several common ideas that are used in the analysis of social and political changes as:

                1.To explain the creation of the world

                 2. To explain natural phenomena

                3.To give story form to ancient religious practices

                4. To explain moral lessons and values

                5. To explain history

                6.To express, as dreams do the deepest fears and hopes of the human race.

    When myths are discussed, the term that surfaces to one’s mind is the “symbol”. In a broader sense, a symbol may represent anything which is of great significance. M.H. Abrahams in his A Glossary of Literary terms points out that “this term is applied only to a word or phrases that signify an object or event in turn signifying, or has a reference, beyond itself (311).”

    A symbol may signify anything. For example, ‘the cross’ symbolises salvation, purity, etc. Such significance occurred only after the crucifixion of Christ. This significance reveals that any symbol may have a significance of its own. Accordingly, every myth has its own symbols and each symbol signifies a single meaning or many meanings. Sometimes a symbol is confused with an allegory, but they differ from each other. Coleridge in his The Stateman’s Manual (1852) and Goethe in his Maxims and Reflection have pointed out that these two are different. An allegory may have a specific meaning by itself. As they both point out, allegory signifies an image and concept whereas a symbol signifies only an image that remains indefinite.

    A symbol is the most important and dominating feature in a myth. Symbols are mostly the images of Gods, evil spirits, passions, power and so on to create such symbols; myths have made an extensive use of animals. Almost all the animals are used as symbols to denote power, faith, fear, etc. Some animals like whales, snakes, peacocks, eagles, horses, and elephants symbolise many things. A peacock symbolises pride; an eagle symbolises heroic endeavors; a snake symbolises power, bliss, and fear.     

    Animals are also worshiped by many people. From the pre-modern societies, animal worship has become a common phenomenon. People began worshiping animals, because of myths created by ancestors. In myths when threatened by evil powers, Gods usually took the form of animals to hide themselves from those spirits. Further the ancestors created such myths to save themselves from dangers. From that time people started to worship animals and they also formed animal cults that represent Gods.          

    When such myths are discussed, naturally several superstitions began evolving around them and gained prominence because, myths are the basic belief of the ancestors, created for a practical cause, which in turn have become topsy-turvy. Ironically, these beliefs have become superstitious beliefs.

    Many writers have used these myths and superstitions in their writings. Goethe considers superstition to be the poetry of life. Though most of the people have understood the meaning of myths, yet these basic beliefs have come out in the form of superstitions. These points have been highlighted by some writers in their works and they try to make the people look at mythology in a better way.

    Myths have both positive and negative symbols. Mythologies of India and Australia treat them positively, whereas some mythologies of Greece and Christianity consider them as negative symbols. In Greek mythology, snakes are treated as evil spirits and as the destroyers of the lives of people. In Christian mythology, the snake is represented as the messenger of Satan sent to destroy human life through the ‘fall of man from the Paradise’. In Australian mythology, snakes are seen as protectors, destroyer of law breakers and so on. In contrast to the Australian Aborigines, Hindu mythology worships them. Such are the symbols of snakes that are treated differently in different cultures.

    Such notion about snakes that prevail among different countries are discussed in the project. These serpents are given a significant place in many mythologies. They form an integral part in almost all languages and cultures. They are used to represent many symbols of human life. Further, this thesis also tries to point out the beliefs that have turned out to be superstitions using the ancestral mythical creatures and the stories regarding them of both India and Australia. The influence of these stories to the present superstitious beliefs, are satirised by several writers in their literary works that are found in different languages.

    Alexander Wyclif Reed (1908-1979) of Australia in his book Aboriginal Myths, Legends and Fables (1993) has made an attempt in rewriting the Aboriginal stories making them easier to understand. He has written many books on Aboriginal tales and their legends. His book tries to bring home the idea of the mystic bond that existed between the Aboriginal people, their environment, and their spiritual life of the Dreamtime. Some stories of Reed about snakes have been taken for comparison. Indian writers have also made use of these myths in their works.

    Girish Karnad’s Nagamandala is one such work. He found out a new approach when other writers wanted to choose a subject that looked entirely alien to the manifestation of the native soil. The approach drew historical and mythological sources to tackle the contemporary themes.

    Similar to this are many writers like R.K.Narayan and Kushwant Singh, Tamil writers like Tamizhselvi, etc. They have written some works with snake as their central role of attraction. These writers highlight the basic beliefs and also the prevailing myths about snakes and snake worship. The knowledge of the scientific representation of a snake is essential in order to go deep into the beliefs of the ancestors.

    “Serpent” is a word of Latin origin (serpens, serpentis) which is commonly used in specifically mythical or religious context, signifying a snake that is to be regarded not as mundane natural phenomenon nor as an object of scientific  zoology, but as a bearer of some symbolic values. A snake is a powerful totem animal, the symbol of death and rebirth and the symbol of transformation. It might well be the mascot for the new age. It has been the animal or the symbol of the ancient men and ancestors of some cultures.

    According to the investigation of Sir James Frazer in Comparative Religion and those of Sigmund Freud in Psychology, though extreme, they have shown that human beings tend to use a wider symbolism, even in thinking itself, to cover ideas  they avoid out of fear. Snakes are used to symbolise many aspects of human life. If a snake bites a person in a dream, it is a good sign and symbolises self-revelation. A person’s dream has a purpose in it. To find out the meanings of these dreams, one needs to understand the symbols. The symbols give different meaning to the dreams. Myths play a major role even in the dreams of people in the name of symbols. Hence the belief lies deep in everyone’s life as an outcome of every culture.

    In this context, this article focuses on the role, functions, and the significance of mythology in the lives of native people of Australia and India and how the role of mythology has been misinterpreted through misconceptions and misunderstandings by some people. It points out how in spite of these myths acting as a yardstick in leading a moral life, people look at these myths only in a literal sense. The article hence reinforces the need to study the deeper implications and significance of myths. People gradually step into certain superstitious beliefs that unknowingly affect and shake the basic beliefs of the natives and unstabilise the structure that binds a concrete society. Some writers are aware of these issues and try to stabilise them through their writings.

    An introduction to both Indian and Australian mythologies is beneficial before analysing customs and beliefs. Both the countries have their own reasons for the creation of such mythologies. Indian mythology is not only 1200 B.C old but is also considered to be vast. It is one of the richest elements of Indian culture standing unique in the world. There are infinite number of stories that are passed on from one generation to another through words or scriptures. These stories form the background of Indian mythology, acting as a medium to people to inculcate an interest in Indian culture and to impart values. These stories generally convey subtle facts and maxims to guide people in leading a moral life.    

    Since storytelling is an easy way to approach people, these facts and rules are conveyed easily. There are also stories to denote the same fact. Hence, each version of a story is correct in its own way. The origin of Indian mythology has been from Rig Veda, the old mythological heritage. During this time, people had faith in whatever they wanted to do. They saw God in forms such as –Agni, Vayu and Surya. They relied mostly on abstractions, though it was illusive and in a due course these Gods were given substantial shapes and characters. The two epics, the Ramayana and the Mahabharata were compiled in the late Vedic period.

    They gave rise to the concept of Trimurthi the union of Ani, Vayu and Surya who in Hindu mythology are named as Brahma, Vishnu and Shiva. This concept has become concrete in Indian mythology which is similar to Chritianity’s trinity-the father, the son and the Holy Spirit.

    There are four ages in Indian mythology, comprising Hinduism, Buddhism, Jainism and Brahmainic. Om or Aum is the essence of Hinduism which denotes oneness with the supreme, both physically and spiritually. This is the first created sacred sound from which all other sounds were formed. This sound in the Upanishads does not only denote origination but also desolution, including past, present, and future.

    The idea of ‘atma’ or the soul plays an integral part in Hinduism. Sacrifice and performing penance have been the chief forms of worship.  The concept of performing penance with so many years of deep meditation, secluded from the world becomes the topic of interest. The Hindus believe more in Lord Vishnu the preserver and Lord Shiva the destroyer than in Lord Brahma the creator.

    Further, there are many creatures symbolizing different kinds of emotions and also as the vehicles of different Gods. Garuda, the King of birds is the vehicle Lord Vishnu, the peacock and the snake are the symbols of Lord Muruga and so on. From 900 B.C to 500 B.C, as Aryan culture commonly named as the Brahmanic Age gradually dominated Hinduism. When the concept of ‘atma’ came into Hinduism, the Brahmanic caste asserted that Gods need human priests to become powerful. Such was the arrival of the Brahmanic Age that celebrated pride in being the followers of Gods.

    From 500 B.C to 100 the age of Bhuddhism and Jainism came into being and dominated Hinduism.  After several years, the epics the Ramayana and Mahabharata were born and brought back the life of Hinduism. There are many stories that speak about Buddha how he acquired knowledge and strength to live a life of eternity in a spiritual way.

    Thus, all the ages are e considered more powerful and they complement each other with their own myths. But it is noteworthy that all these ages talk about the oneness of human beings with God in different ways.

    Australia is a multicultural society comprising people from all around the world. It always had a mixture of cultures. The most eminent Aboriginal and Torres Strait occupied the islands between Australia and Papua New Guinea, which is now called the Torres Strait. These Indigenous people naves many tribal communities with different languages, cultural and traditional practices. It is believed that before 1788, there existed more than 700 languages within an estimated population of 7,50,000 people. Today the indigenous people comprise 2% as estimated within the population of 410000 in Australia.

    Due to the effects of colonisation, the people were removed from the lands, nativity and their sole identity of culture and languages. Early Australia was completely different from the present Australia. Those indigenous people had no facilities even to travel from place to place like carriages and so on. It had been an unspoilt land where people respected their environment, nature, and everything around them.

    Since they lived the lives of hunters and gatherers of lives, they ensured that they had enough food for future use and made sure that the food was never wasted.  Even women and children were trained to hunt smaller animals and to collect fruits. In order to maintain the fragile environment and due to seasonal variations, they kept roaming through the land. They also made it a point not to hunt at the same place and stored some food whenever they went. The places where these scattered are converted to cities, towns and so on with a mixture of contemporary and traditional thoughts and practices still existing.

    The indigenous cultures of Australia are considered the oldest of all cultures in the world for, they were able to change accordingly. These changes were due to the influence of other country people entering their land for trade. They exchanged not only goods but also songs and dances within their own indigenous people. Though they were adaptable to change and were culturally strong, some indifferences of Europeans affected them resulting in colonisation.

    Archaeological evidences show that indigenous cultures have changed many times accordingly to cope up with the changes of the environment. They were able to survive and struggle against their changes made in their culture by Europeans since 1788. Even before Europeans influence, the indigenous people had contact with other cultures like Dutch, Portuguese navigators and traders in sharing ideas and skills. These influences can be seen in the rock bark paintings.

    The complexity and richness of aboriginal cultures were not clear for the early colonists and hence their government policies were against the interests of the aboriginal people. And they have had profits from the labour of these aboriginals. Many forms and cattle came into their nation without realizing how the indigenous people treat their lands. Their land that was meant for food and spirituality was considered a land of trade alone. Further the colonists even prevented them from speaking their own languages, which resulted in the decrease of native languages from 700 to 250 at present. Yet there are traces of native languages in Australia now.

     When it comes to spirituality, there are many forms in it with different practices and influences by the impact of colonialism, both past and present. There are some indigenous people who believe in the cultures introduced in Australia by the Europeans. Yet, their religious beliefs derived from a scene of belonging to the land, sea and to nature and one’s culture. Their form and expression of spirituality differ from the Aboriginal and the Torres Strait Islanders. The Aboriginal spirituality was based on the stories of the stories of dreaming whereas the Torres Straight Islanders ‘spirituality was based on the stories of Tagai.

    Thus, between the two Aboriginal people’s lives are found much in detail than Tagai. It is because of the significance. So, W.E.H.Stanner , an Australian Anthropologist says, ‘the idea of a sign is thoroughly aboriginal…..’ Likewise art was central to the lives of Aboriginal people and was a product of their Dreaming. Thus, by practicing art singing, dancing, sculpting, and painting. Aboriginal people could assess the dreaming.

    Thus, dreaming had different meaning for different Aboriginal people. It being complex network of knowledge , faith and practices derived from stories of creation , dominates all spiritual and physical aspects of Aboriginal people setting out the structures of society and rules of behaviour in order to maintain the life of the land.

    The Dreamtime governed the way people lived and how they should behave and if rules were flouted, they were punished. The ‘Dreamtime’ or dreaming is often used to describe the time when the earth, and the animals and the human were created. The dreaming is also used by individuals to refer to their own dreaming or their community’s dreaming. The dreaming world was the old time of the ancestors. They emerged from the earth at the time of creation. Time began in the world the moment these supernatural beings were born out of their own eternity.

    The stories tell that the earth was a flat surface, in darkness, dead silent world. Unknown forms of life were asleep, below the surface of the land. Then the supernatural ancestor beings broke through the crust of the earth from below with tumultuous force. The sun rose out of the ground. The land received light for the first time. The supernatural or totemic they resembled creatures or plants and were half human, they moved across the baren surface of the world. They travelled hunted and fought and changed the form of the land. During their journeys they created the landscapes, the mountains, the rivers, the trees, the waterholes, plains, and sand hills. They made all the celestial bodies, The sun, the moon, and the stars. Then wearied from all the activities the mythical creatures sank back into the earth and returned to their state of sleep.

    Such stories help the people to know the origin of the ancestral spirits and where they went to rest. These are the explanations to hoe people came to Australia and the links between the groups throughout Australia. In essence, the dreaming comes from the land. The Aboriginal society people did not own the land, but it was a part of them and part of their duty to respect mother earth.

    Dreaming stories vary throughout Australia and there are different versions on the same theme. Thus, in more recent times there are stories telling the arrival of the first European ships are stories about trading with Macassan fisherman in northern Australia. Tagai is a collection of stories which is the cornerstone of the Torres Straight Islanders’ as sea people sharing a common way of life. Tagai enables orderliness in the world and ensures placement for everything.

     Both the Aboriginal and the Torres Strait Islanders have a complex system of family relations where each person knows their kin and their land. This extension of family relationships formed the core of indigenous kinship systems enabling transmission of culture from one to the other and also in the organization of society.  Story telling in indigenous Australia is still an important way of passing information to people. These stories also in various forms such as music, plays poetry and books keep the traditions and heritage of indigenous Australia alive and also within the wider community paving the way for clearer understanding and awareness among people.

    The Aboriginals believe in two forms of time: two parallel streams of activity. One is the daily objective activity and the other is an infinite spiritual cycle called the dream time  which is more real than the reality itself. It was believed that some people of unusual spiritual powers had contact with dream time.  They also believed the idea of eternity in the dreaming and it bound the life of the individual even before the beginning of his life and continued to exist even after his death.

    Thus, the aborigines believed in the beings while the Europeans believed these cultural ancestors to be magical. When observed deeply, these stories would have many aspects of life to be realised.